The Bozak ISO-X uses high performance analogue tone control circuits using individually selected discrete components that isolate the signal into three or four bands, selectable by the user.The level of each band is controlled independently and Bozak’s frequency dividing technology provides superior dynamic response making the control smooth, predictable and ultra controllable. The individual tone control allows the user to isolate beats, vocals and high hats as well as adjusting the overall tonal quality. The cross-over points have been carefully selected to yield a very natural sound and to emphasise the artistry in the musical production. Fully discrete analogue design topology. User selectable 3 or 4 Band Isolator.

• Bozak Ar6

User selectable Sub cross over 80 or 100Hz. Large tactile control knobs. Video crack addict. Quality Gold RCA and Neutrik XLR connectors. Selectable mains input for worldwide usage. Anodic printed front panels.

Lightweight chassis. Rack Ear bracing. 3 or 4 band User Selectable Isolator with 18dB per octave cross over slopes. Cross-Over Points 18dB/Octave Mid/Treble 4KHz Bass/Mid 400Hz Sub/Bass 80Hz or 100Hz Gain Range Full boost +6dB Mid position 0dB/Unity Full Cut Infinity Connections Balanced In & Outputs Balanced 3 pin Neutrik XLR Un balanced In & Outputs Gold plated RCA Power Supply Selectable100-12 5vAC or 200-250vAC 50-60Hz IEC Dimensions 1U x 19”. 44mm (h) x 483mm (w) x 203mm (d)What are the Pro’s saying about the ISO-X? Louie Vega: “The new Bozak ISO-X can warm up any sound system. Is my preferred isolator and the best sounding to date.

Having a choice of 3 or 4 way separation is something now other isolator as. Come check it out any of my gigs and hear it work”. Bobby & Steve: “The Bozak ISO-X sounds hot! The sound is amazing, it’s so punchy and warm. We won’t leave home without it now, cant wait for the mixer”. Kevin Hedge: “I’ve had a prototype since March, the frequency separation and warmth is second to none.

The Bozak ISO-X adds a new dynamic to any system, check it out every week at Roots Cielo NYC”. Fabric sound engineer Sanjay B: “The Isolator sounds PHAT, cant wait to put them in the club”.

Herbal sound engineer Robbie: “The Bozak is fat, it rocks our Watt Co sound system”. IDJ Magazine: “The Bozak ISO-X has been designed to give excellent sound quality and smooth control over the eq. It’s not cheap but this isolator will add improved dynamics into your system and add a new dynamic into the way you use eq”. IDJ Approved Quality issue 88.Posted with eBay Mobile.

Let me start by saying how excited I am! I have made a deal for a Bozak 919 pre amp. It's in great shape and fully functional, all for the bargain basement price of $150!!

Much like my EICO, I don't think the seller is in tune with the market.To give an example of it's value, upon joining the Yahoo Bozak Group, I was made 3 offers via PM. 250, 275 and 350. All without so much as seeing a photo. Of course, much of it's value comes from the fact that it's a fidelity monster. It was considered a giant killer back in it's time.

They still sound every bit as great today as they did then. I have gathered that they are comparable to an ARC SP9. Not in how they perform, but rather in the cultish dedication audiophiles have for it.Perhaps some of you aren't aware of Bozak. They were primarily a speaker company owned by Chief Engineer Rudy Bozak. They made top notch speakers during the golden age of audio.

Some models like the Concert Grand are arguably some of the best ever made. I haven't heard any myself.Just down the road from the Bozak shop, was a small upstart by the name of CM Labs. CML had a line of amps and mixers that they had designed and needed a place to build them.

Bozak took the work and built the first line of CM Labs mixers.Anyhow, some of those units, like the CMA-10-2DL, still fetch up to $1000 in good shape! They were made with DJs in mind.After making those initial CMLabs products, Rudy Bozak decided he wanted to design his own line. They put the home listener in mind for these. With legendary engineer Bob Betts, they introduced the 900 series. It included the 909 (rotary) and 919 (slider) pre amps, and the 929 and 939 power amps.

They were an immediate and huge success. As I indicated earlier, they were priced under $1000 but were slaying the higher end competition.Anyhow, I would be interested in any knowledge any of you guys may have regarding the 919 pre amp. After hooking up my Basic C1 and getting great results, I am hoping the Bozak will be the means to an end. 'The Final Preamp'?? Let me start by saying how excited I am! I have made a deal for a Bozak 919 pre amp. It's in great shape and fully functional, all for the bargain basement price of $150!!Anyhow, I would be interested in any knowledge any of you guys may have regarding the 919 pre amp.

After hooking up my Basic C1 and getting great results, I am hoping the Bozak will be the means to an end. 'The Final Preamp'?? We'll see.Cool purchase. I confess that I know little of that unit.

The modular input-by-card concept has only been used by a few preamps that I know of such as the Levinson LNP-2, Dayton-Wright SPA, Quad something, and the Burmester 808. Let us know how she sounds!rw. It sounds awesome. I would have to say that it's indeed coloured. It's on the warm side. However, I can't get over at how full everything sounds.

It's definitely a step up from anything I've had. The soundstage is big and very realistic.

Lots of space around each player, it creates a very nice depth effect.The phono stage sounds great, but I would have to think that my Creek may sound better into the hi level inputs. Too soon to say. Of course the circuit is fully adjustable, so I may look into a mod.I have spoken with Bob Betts through several emails. He says aside from audiophiles, alot of disco DJs were using these in the clubs.He can't recall all of the details, and doesn't have the original schematics.

There is however a rotary pot on the top of the chassis. It's wired into the main output.

Bozak Ar6

He thinks it might be a bias for distortion. I thought it might be some kind of master volume control. Has anyone seen this type of adjustment? I would need a spectral analyzer, which I don't have or know how to use anyhow.In regards to the C1, I could not say that it's 'better'. It's certainly different.

If you like big time imaging and a big full sound, then the C1 has nothing on this pre. The C1 is far more neutral and realistic.I'm not sure that this will be 'the one'. There's a long list of people at the Bozak Group who want to buy it from me, with an easy and instant profit for myself.OK, I'm going back to listen. I have James Brown Hell on the table and it sounds REALLY funky. I've done it!!! Top notch fidelity on a peasant's dime.

All the research and searching has culminated into audio nirvana.I don't fault anyone who spends a heap of cash on audio gear. Spend it if you've got it. My message is for everyone who craves that upper tier, but simply can't afford it. It's out there.

The real loophole is not cash, it's synergy.I will now convert the Eico HF-85 into a phono stage. This should push the fidelity beyond the Bozak, and certainly beyond my Creek.

I will have it professionaly modded by a pro in town. I would imagine I'll be competitive up to $1000 in the phono area.Now I only need to sit back, and listen. My last goal is a proper turntable.Right now, Jim Hall and Ron Carter are performing in my listening room.